With an Introduction, Notes and Bibliography by Anne Varty, Royal Holloway, University of London. WILDE, GLAMOROUS AND NOTORIUS, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

With an Introduction and Notes by Anne Varty, Royal Holloway, University of London. Oscar Wilde took London by storm with his first comedy, Lady Windermere's Fan. The combination of dazzling wit, subtle social criticism, sumptuous settings and the theme of a guilty secret proved a winner, both here and in his next three plays, A Woman of No Importance, An Ideal Husband, and his undisputed masterpiece, The Importance of Being Earnest. This volume includes all Wilde's plays from his early tragedy Vera to the controversial Salome and the little known fragments, La Sainte Courtisane and A Florentine Tragedy. The edition affords a rare chance to see Wilde's best known work in the context of his entire dramatic output, and to appreciate plays which have hitherto received scant critical attention. Wilde's plays have never failed to delight audiences and are a lasting testimony to their author's supreme wit and theatrical genius.

With an Introduction and Notes by Anne Varty, Royal Holloway, University of London. De Profundis is Wilde's eloquent and bitter reproach from prison to his lover, Lord Alfred Douglas. He contrasts his behaviour with that of his close friend Robert Ross who became Wilde's literary executor. The Ballad of Reading Gaol is a deeply moving and characteristically generous poem on the horrors of prison life, which was published anonymously in 1898. This collection also includes the essay The Soul of Man under Socialism and two of his Platonic dialogues, The Decay of Lying and The Critic as Artist.

This unique collection of extracts is taken from women's journals and magazines - both British and American - on the eve of the twentieth century. Arranged by subject, the collection focuses on what this pivotal moment represented for women and includes an introduction to women's journalism of the period.
The rapidly changing conditions then surrounding a woman's world are illustrated here by sections on:
* monarchy
* women and war
* colonial women
* the politics of emancipation
* and girlhood.

A Preface to Oscar Wilde provides a detailed study of the cultural, personal and political influences that shaped Wilde's writing. The study concentrates primarily on his fiction, critical dialogues and plays that were published between 1890 and 1895, and detailed accounts of Wilde's lesser known works such as his poetry, journalism and letters are also presented. The first section places his work in a variety of cultural contexts: Wilde's family life and his Irish inheritance are examined, the impact of his sexuality on his writing and reputation is considered, and a description is provided of how Wilde became a legendary figure in the arts. Major innovations and successes, such as The Picture of Dorian Gray, Salome and The Importance of Being Earnest are related to avant garde movements of their day such as aestheticism, decadence, and symbolism. Reference sections provide supporting material such as a Wilde chronology, a glossary of terms and a bibliography for further study. Anne Varty sets out in this study to bring to life the work of Wilde, and to make his writing accessible to readers who are unfamiliar with his achievements. In so doing, she confronts the ethical drive of his work, and demonstrates the coherent evolution of his work from the aestheticism of the early poetry, through the sophisticated handling of theatre, to the dark self-scrutiny of autobiography. The comprehensive and accessible approach makes this a useful reference work to all who are studying Oscar Wilde, both at A Level and undergraduate level. The content will also appeal to the general reader who is seeking to gain a greater understanding and appreciation of Wilde's work.

A Preface to Oscar Wilde provides a detailed study of the cultural, personal and political influences that shaped Wilde's writing. The study concentrates primarily on his fiction, critical dialogues and plays that were published between 1890 and 1895, and detailed accounts of Wilde's lesser known works such as his poetry, journalism and letters are also presented. The first section places his work in a variety of cultural contexts: Wilde's family life and his Irish inheritance are examined, the impact of his sexuality on his writing and reputation is considered, and a description is provided of how Wilde became a legendary figure in the arts. Major innovations and successes, such as The Picture of Dorian Gray, Salome and The Importance of Being Earnest are related to avant garde movements of their day such as aestheticism, decadence, and symbolism. Reference sections provide supporting material such as a Wilde chronology, a glossary of terms and a bibliography for further study. Anne Varty sets out in this study to bring to life the work of Wilde, and to make his writing accessible to readers who are unfamiliar with his achievements. In so doing, she confronts the ethical drive of his work, and demonstrates the coherent evolution of his work from the aestheticism of the early poetry, through the sophisticated handling of theatre, to the dark self-scrutiny of autobiography. The comprehensive and accessible approach makes this a useful reference work to all who are studying Oscar Wilde, both at A Level and undergraduate level. The content will also appeal to the general reader who is seeking to gain a greater understanding and appreciation of Wilde's work.

The concurrent tenures of Gillian Clarke as National Poet of Wales, Carol Ann Duffy as UK Poet Laureate, Liz Lochhead as Scots Makar, and Paula Meehan as Ireland Professor of Poetry, defied historic rifts between women, poetry and nation. This book explores the extraordinary changes these women fought to achieve as each made her way from marginalised 'poetess' of the 1970s to laureate at the heart of cultural establishment in the 21st century. It looks at how they revitalised these public offices, and explores their interventions in contemporary geopolitics and national self-understanding. It considers how they shaped their roles by engaging with poetic icons of the past, by linking poetry and education, and by joining poetry with politics.

A pioneering study of women poets exploring the four laureate roles of the United Kingdom and Ireland Includes case studies of Gillian Clarke, Carol Ann Duffy, Liz Lochhead and Paula Meehan Re-values the authority of poetry by women Considers how poetry can be both nation-building and promote cultural internationalism Explores the treatment of poetry in the school curriculum The concurrent tenures of Gillian Clarke as National Poet of Wales, Carol Ann Duffy as UK Poet Laureate, Liz Lochhead as Scots Makar, and Paula Meehan as Ireland Professor of Poetry, defied historic rifts between women, poetry and nation. This book explores the extraordinary changes these women fought to achieve as each made her way from marginalised 'poetess' of the 1970s to laureate at the heart of cultural establishment in the 21st century. It looks at how they revitalised these public offices, and explores their interventions in contemporary geopolitics and national self-understanding. It considers how they shaped their roles by engaging with poetic icons of the past, by linking poetry and education, and by joining poetry with politics.

Essays employing close scrutiny of texts to clarify gender issues in feminist literary criticism. One of the major problems in feminist literary criticism is the tendency to generalise when exploring language and gender. This volume clarifies the issues involved and tests generalisations by specific analysis, and in the process defines a "feminist stylistics" - a fresh, practical approach which will serve as a model for future work in this area. The seven essays in the collection analyse widely varying literary texts, using the framework of linguistic theory to address feminist issues. The texts range from Shakespeare's As You Like It to present-day pop songs, and also cover poetry and contemporary fiction. The feminist critics whose approach is under examination include Cixous, Irigaray, Kristeva, Showalter, Woolf and a number of British feminists; and the linguistic models employed cover discourse analysis, politeness theory, lexicalisation and transitivity. Contributors: Clara Calvo, Lesley Jeffries, Marion Lomax, Sara Mills, Louise Sylvester, Anne Varty, Shan Wareing